The two Kyrie settings in E flat K. 322 (1778/79) and in C K. 323 (probably not before 1790) are among the works by Mozart that only exist as incomplete draft scores. In both cases, however, Mozart's original transcriptions are so extensive and far advanced that the Abbé Maximilian Stadler, known from the history of the Requiem, was able to complete the movements after the death of his friend Mozart.
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