Assignment from the “Casino Musical de Godella” to commemorate the centenary of the painter Ignacio Pinazo. The work does not attempt to add music to any of our author's paintings, but it takes different pictorial resources as a metaphor for the different sections. The quick layout of his brushstrokes is reflected in the most frantic passages of music. The earthy colors in the darkest sonorities and the typical colors of impressionism reflected in the sonorities of French musical impressionism.
